Romantic Poetry Biography
Source Link : Google.com.pk
Romanticism, a philosophical, literary, artistic and cultural era[1] which began in the mid/late-18th century[2] as a reaction against the prevailing Enlightenment ideals of the day (Romantics favored more natural, emotional and personal artistic themes),[3][4] also influenced poetry. Inevitably, the characterization of a broad range of contemporaneous poets and poetry under the single unifying name can be viewed more as an exercise in historical compartmentalization than an attempt to capture the essence of the actual ‘movement’.[citation needed]
Poets such as William Wordsworth were actively engaged in trying to create a new kind of poetry that emphasized intuition over reason and the pastoral over the urban, often eschewing consciously poetic language in an effort to use more colloquial language. Wordsworth himself in the Preface to his and Coleridge's Lyrical Ballads defined good poetry as “the spontaneous overflow of powerful feelings,” though in the same sentence he goes on to clarify this statement by asserting that nonetheless any poem of value must still be composed by a man “possessed of more than usual organic sensibility [who has] also thought long and deeply;” he also emphasizes the importance of the use of meter in poetry (which he views as one of the key features that differentiates poetry from prose).[5] Although many people stress the notion of spontaneity in Romantic poetry, the movement was still greatly concerned with the pain of composition, of translating these emotive responses into poetic form. Indeed, Samuel Taylor Coleridge, another prominent Romantic poet and critic in his On Poesy or Art sees art as “the mediatress between, and reconciler of nature and man”.[6] Such an attitude reflects what might be called the dominant theme of Romantic poetry: the filtering of natural emotion through the human mind in order to create art, coupled with an awareness of the duality created by such a process.
For some critics, the term establishes an artificial context for disparate work and removing that work from its real historical context" at the expense of equally valid themes (particularly those related to politics.)[7]
The six most well-known English authors are, in order of birth and with an example of their work:
Jugnu ko qaid kar k muskaraya na karo,
Roshni ki khatir kisi ka dil jalaya na karo,
Sitam karna hai karo par itna na karo!
Yaad nahi karsakte to yad aaya na karo…
Mulakaat huai jb un se ek raat ko,
saam ne bete hue the vo..
haat main apne sabnam ka pyala liye..
baat ese kuch kr rhe the vo..
sabnam un ki aanko se jhalkti huai..
sb ko apna diwana kr rhe the vo….
mulaakat huai jb un se ek raat ko…
Ek Gulab Matlab I LOVE U
Ek Anguthi Matlab I MARRY U
Ek Muskaan Matlab I LIKE U
Ek SMS Matlab I MISS U..
Lekin Ek Flying kiss Matlab Thinking U So passinately…..)( DIL Se…
Labon Ki Sarsarahat Ke, Bad Choor Honay Tak
Main Tujhko Is Tarah Chahun, Ke Meri Saans Ruk Jaye,
Khataon Par Khataein Hon, Na Ho Kuch Baat Kehne Ko,
Main Tujh Mein Yun Sama Jaon, Ke Meri Saans Ruk Jaye,
Na Himat Tujh Mein Ho Baqi, Na Himat Mujh Mein Ho Baqi,
Magar Itna Qareeb Aaon, Ke Meri Saans Ruk Jaye,
Tere Honton Ko Jab Rakhon, Main Apnay Hont Kuch Aise,
Yaa Teri Pyaas Bujh Jaye, Yaa Meri Saans Ruk Jaye..!!!
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